Fri, Feb 14, 2020 9:30 am–12 pm Event closed: seating at capacity
Design director and curator Emmet Byrne talks about his work at the Walker Art Center tying together the worlds of hybrid print/digital design, curatorial publishing, and the museum as platform.
The ProSeminar is an invitation to leading curators, designers, and researchers in contemporary art and design to host a conversation about the artworks, exhibitions and ideas that inform their practice. The intimate format provides an opportunity for students, faculty and invited participants to engage in focused dialogue with guests.
A selection of short readings accompany each session. Readings are assigned by seminar leaders. Participants are provided links below and expected to read texts in advance of meetings.
Carruthers, Meredith, “Some Other Systems of Orientation: Publishing Exhibitions.” In As Seen: Exhibitions that Made Architecture and Design History, edited by Zoë Ryan. New Haven: Yale University Press, 2017.→
Cheng, Ian et. Al. “Future Fictions.” Frieze, June–August 2013.→
Gat, Orit. “Global Audiences, Zero Visitors: How to measure the success of museums’ online publishing.” Rhizome (2015).→
Ludovico, Alessandro, “Conclusion (Post-digital print: a future scenario).” In Post-digital Print: The Mutation of Publishing since 1894. Eindhoven: Onomatopee, 2012.→
Presented by CCA’s Graduate Program in Curatorial Practice in partnership with MFA Design. This ProSeminar is made possible thanks to generous support from Mary Mocas and Marv Tseu.
Featured
Emmet Byrne is Design Director and Associate Curator of Design at the Walker Art Center in Minneapolis. He provides creative leadership and strategic direction for the Walker in all areas of visual communication, branding, and publishing, while overseeing the award-winning in-house design studio. The exhibition Designs for Different Futures—a show about how design helps complicate and create multiple futures which he co-curated—recently opened at the Philadelphia Museum of Art. He was one of the founders of the short-lived design magazine Task Newsletter in 2009 and is the creator of the Walker’s Intangibles platform—a product line of objects with no physical form. His work has been recognized by the NY Times, Wired Magazine, Grafik, Creative Review, among many others; featured in exhibitions such as the 2nd Istanbul Design Biennial and the 27th Brno Biennial; and his book design has twice won the Core77 award for Visual Communication. He is the editor of the Walker’s impulsive design blog, The Gradient.
Hippie Modernism: The Struggle for Utopia, edited by Andrew Blauvelt (Minneapolis: Walker Art Center, 2015).
Design at the Walker Art Center
Designs for Different Futures, edited by Kathryn B. Hiesinger, Michelle Millar Fisher, Emmet Byrne, Maite, Borjabad López-Pastor, and Zoë Ryan, with Andrew Blauvelt Colin Fanning and Orkan Telhan (New Haven: Yale University Press, Minneapolis: Walker Art Center, 2019).
Intangibles. An online collection of intangible products/artworks created by artists and designers, Walker Art Center online shop.