Installation view: Marianne Wex: ‘Let’s Take Back Our Space’ with printed matter from, by or about ALBUM (Eline Mugaas and Elise Storsveen), Jérôme Saint-Loubert Bié, Caravaggio, Hal Fischer, André Malraux, Martine Syms, Lynne Tillman, and Wolfgang Tillmans.
Eline Mugaas and Elise Storsveen.
Detail: Marianne Wex, ‘Let’s Take Back Our Space’: “Female” and “Male” Body Language as a Result of Patriarchal Structure (Germany: Frauenliteratur Verlag, 1984).
Cover: Hal Fischer, Gay Semiotics: A Photographic Study of Visual Coding Among Homosexual Men (Los Angeles: Cherry and Martin, 2015).
Detail: Hal Fischer, Gay Semiotics: A Photographic Study of Visual Coding Among Homosexual Men (Los Angeles: Cherry and Martin, 2015).
Detail: Marianne Wex, ‘Let’s Take Back Our Space’: “Female” and “Male” Body Language as a Result of Patriarchal Structure (Germany: Frauenliteratur Verlag, 1984).
Detail: Marianne Wex, ‘Let’s Take Back Our Space’: “Female” and “Male” Body Language as a Result of Patriarchal Structure (Germany: Frauenliteratur Verlag, 1984).
ALBUM #10. Fanzine by Eline Mugaas and Elise Storsveen.
Cover: Documents, Jérôme Saint-Loubert Bié, with texts by Cécile Dazord and Yann Sérandour (Paris: Atelier Cardenas Bellanger and École des Beaux-Arts de Rennes, 2006).
Detail: Documents, Jérôme Saint-Loubert Bié, with texts by Cécile Dazord and Yann Sérandour (Paris: Atelier Cardenas Bellanger and École des Beaux-Arts de Rennes, 2006).
Installation view: Marianne Wex: ‘Let’s Take Back Our Space’ with printed matter from, by or about ALBUM (Eline Mugaas and Elise Storsveen), Jérôme Saint-Loubert Bié, Caravaggio, Hal Fischer, André Malraux, Martine Syms, Lynne Tillman, and Wolfgang Tillmans.
Detail: Martine Syms, Implications and Distinctions: Format, Content and Context in Contemporary Race Film (Houston: Future Plan and Program, 2011).
Cover: Martine Syms, Implications and Distinctions: Format, Content and Context in Contemporary Race Film (Houston: Future Plan and Program, 2011).
Detail: Documents, Jérôme Saint-Loubert Bié, with texts by Cécile Dazord and Yann Sérandour (Paris: Atelier Cardenas Bellanger and École des Beaux-Arts de Rennes, 2006).
André Malraux while working on his book Lemusée imaginaire de la sculpture mondiale, based on the premise of the musée imaginaire, or the imaginary museum, 1954.
Installation view: Marianne Wex: ‘Let’s Take Back Our Space’ with printed matter from, by or about ALBUM (Eline Mugaas and Elise Storsveen), Jérôme Saint-Loubert Bié, Caravaggio, Hal Fischer, André Malraux, Martine Syms, Lynne Tillman, and Wolfgang Tillmans.
Detail: Marianne Wex, ‘Let’s Take Back Our Space’: “Female” and “Male” Body Language as a Result of Patriarchal Structure (Germany: Frauenliteratur Verlag, 1984).
Detail: Marianne Wex, ‘Let’s Take Back Our Space’: “Female” and “Male” Body Language as a Result of Patriarchal Structure (Germany: Frauenliteratur Verlag, 1984).
Detail: Marianne Wex, ‘Let’s Take Back Our Space’: “Female” and “Male” Body Language as a Result of Patriarchal Structure (Germany: Frauenliteratur Verlag, 1984).
Installation view: Marianne Wex: ‘Let’s Take Back Our Space’ with printed matter from, by or about ALBUM (Eline Mugaas and Elise Storsveen), Jérôme Saint-Loubert Bié, Caravaggio, Hal Fischer, André Malraux, Martine Syms, Lynne Tillman, and Wolfgang Tillmans.
Postcard of photograph by Wolfgang Tillmans titled Caravaggio (1997).
Cover: Lynne Tillman, Men and Apparitions: A Novel (New York: Soft Skull Press, 2018).
Detail: Hal Fischer, Gay Semiotics: A Photographic Study of Visual Coding Among Homosexual Men (Los Angeles: Cherry and Martin, 2015).
Cover: ALBUM by Eline Mugaas and Elise Storsveen (New York: Primary Information, Oslo: Teknisk Industri AS, 2014).
Detail: ALBUM by Eline Mugaas and Elise Storsveen (New York: Primary Information, Oslo: Teknisk Industri AS, 2014).
Detail: Martine Syms, Implications and Distinctions: Format, Content and Context in Contemporary Race Film (Houston: Future Plan and Program, 2011).
Detail: Documents, Jérôme Saint-Loubert Bié, with texts by Cécile Dazord and Yann Sérandour (Paris: Atelier Cardenas Bellanger and École des Beaux-Arts de Rennes, 2006).
Detail: ALBUM by Eline Mugaas and Elise Storsveen (New York: Primary Information, Oslo: Teknisk Industri AS, 2014).
Detail: Lynne Tillman, Men and Apparitions: A Novel (New York: Soft Skull Press, 2018).
Detail: ALBUM by Eline Mugaas and Elise Storsveen (New York: Primary Information, Oslo: Teknisk Industri AS, 2014).
Detail: Documents, Jérôme Saint-Loubert Bié, with texts by Cécile Dazord and Yann Sérandour (Paris: Atelier Cardenas Bellanger and École des Beaux-Arts de Rennes, 2006).
Detail: Marianne Wex, ‘Let’s Take Back Our Space’: “Female” and “Male” Body Language as a Result of Patriarchal Structure (Germany: Frauenliteratur Verlag, 1984).
Detail: Lynne Tillman, Men and Apparitions: A Novel (New York: Soft Skull Press, 2018).
Installation view: Marianne Wex: ‘Let’s Take Back Our Space’ with printed matter from, by or about ALBUM (Eline Mugaas and Elise Storsveen), Jérôme Saint-Loubert Bié, Caravaggio, Hal Fischer, André Malraux, Martine Syms, Lynne Tillman, and Wolfgang Tillmans.