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Manuel Borja-Villel, “Towards a Museum of the Common,” 2017, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017).
Mekhitar Garabedian, Fig. a, a comme alphabet (ayppenkeem), 2009–ongoing, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017).
Carsten Höller, Bart Brinckman,“The King is back. Not a single opposing vote,” De Morgen, 6 April 1990, 2001/2017, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017).
Jo Baer, Tis Ill Pudding in the Cockatrice Den (Là Bas), 1987, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017).
Ellen Gallagher, Dr. Blowfins, 2014, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017).
Goshka Macuga, Before the Beginning and After the End: Transhumanism, 2017, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017).
Oscar Murillo, Human Resources, 2016, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017).
Otobong Nkanga, Queen of the Night, 2014, and Forget Me Not, 2016, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017).
Lili Reynaud-Dewar, Small Tragic Opera of Images and Bodies in the Museum, 2017, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017).